Related Paintings of unknow artist :. | Sheepherder and Sheep 199 | Arab or Arabic people and life. Orientalism oil paintings 189 | Francis I | Concert Champetre | The Neva Embankment Near The Academy of Arts |
Related Artists:
Edmund Charles Tarbell
American Impressionist Painter, 1862-1938 American painter, illustrator and teacher. He attended drawing lessons at the Normal Art School, Boston, MA, and art classes with W. A. G. Claus. From 1877 to 1880 he was apprenticed to a lithographic company in Boston. In 1879 Tarbell entered the School of the Boston Museum of Fine Arts, where he was a pupil of Otto Grundmann (1844-90), a former student of Baron Hendrik Leys in Antwerp. In 1883 Tarbell left for Paris with his fellow student Frank W. Benson. Both Tarbell and Benson attended the Acad?mie Julian, where they studied with Gustave Boulanger and Jules Lefebvre. They travelled to Italy in 1884 and to Italy, Belgium, Germany and Brittany the following year. Tarbell returned to Boston in 1886. Initially after his return, Tarbell made a living from magazine illustration, teaching privately and painting portraits. In 1889 Tarbell and Benson took Grundmann's place at the Museum School.
Oscar Bluhm
German Painter, 1867-1912
Clara Southern
Australian artist, 1860-1940 Australian painter. One of the first generation of progressive, professionally educated Australian women artists, she began her training as a pupil of Mme Mouchette, painter, schoolmistress and founder of the Alliance Fran?aise in Melbourne; and later took lessons from Walter Withers. As a student at the National Gallery of Victoria (1883-7) she was nicknamed 'Panther' for her lithe beauty. From mid-1888 she shared a teaching studio with Jane Sutherland in the new purpose-built Grosvenor Chambers, where Tom Roberts was a neighbour. She had 'caught the "Impressionist" fever', reported Table Talk (2 Aug 1889), and showed 'a great variety of charming little sketches, which however are not intended for exhibition'. She showed with the Victorian Artists' Society (1889-1917): mainly subjects around Kyneton and Melbourne's outer suburbs, painted in the fresh, quasi-Impressionist style characteristic of the Heidelberg school.